The Instrumentalist: For fans of THE MINIATURIST and THE MARRIAGE PORTRAIT

Reviewer five:
A major theme in The Instrumentalist is the destructive pursuit of perfection. The protagonist’s life is dictated by an obsessive need for control, both in their music and their personal life, and this pursuit leads to psychological unraveling. Constable explores how perfectionism can mask deeper fears and insecurities, and how surrendering control becomes a necessary step toward healing. Readers who have struggled with perfectionism will find this portrayal deeply resonant, as the novel deftly captures the double-edged sword of striving for greatness.

Reviewer 6:
Beyond its exploration of music and mental health, The Instrumentalist is also a meditation on relationships. Constable deftly explores the protagonist’s strained connections with family, friends, and colleagues, showing how isolation and vulnerability often walk hand in hand. The novel emphasizes the importance of human connection, even as the protagonist retreats into their own world of self-imposed isolation. The evolution of these relationships throughout the novel is poignant and serves as a reminder of the healing power of empathy, understanding, and love.

Reviewer 7:
Harriet Constable’s prose is lyrical and evocative, reflecting the musical themes of the novel. Her writing has a rhythm and cadence that mirrors the ebb and flow of a musical composition. Whether describing the technical precision of a musical performance or the emotional turmoil of the protagonist, Constable’s language is rich and expressive without being overwrought. Readers who appreciate finely crafted prose will be drawn to her stylistic choices, as each sentence feels intentional and loaded with meaning.

I thoroughly enjoyed this debut novel set in 18th Century Venice and I knew nothing of Ospedale della Pieta orphanage though of course I certainly know of Vivaldi and now I have learned of the intertwined history of both in a brilliantly imagined story.

The Ospedale della Pieta orphanage took in abandoned baby girls that were posted through their letter box the size of which determined the size and age of the baby (many of whom were deformed by the process). The life was harsh and by no means ideal but the girls were given an education and tuition in music which offered the talented and ambitious entrance into the renowned orchestra Figlie di Coro. Those that failed endured worse fates and were often married off against their will and deprived of their music.

So this is a tale of a particularly talented girl Anna Maria della Pieta who sees music in colour and the descriptions of her processing music with the colours are particularly wonderful and enable the reader to really understand the her drive and need to be part of the music. The music is almost sentient being a part of the soul and fabric of Anna Maria and drives her to achieve her ambitions.

Her drive to be the best that ever was comes at some very high prices both to Anna Maria and her friends but the author’s sensitivities in handling these make the reader understand why this is necessary if not forgivable.

Constable explores the background of the vulnerabilities of being female in a male world as in Anna Maria’s relationship as pupil to Vivaldi’s volatile teacher and Maestro and Master of Music at the Pieta orphanage and the cross over of his and her composing of music and that society will not accept or believe in a female composer hence it seems Vivaldi potentially was not above using others work as his own and Anna Maria and the others were unable to protect their work.

But it is not just the naive and poor of the orphanage who are vulnerable but also the girls of rich families also have no voice and are subject to the power of their fathers and brothers and if they were predators the girls became prey. Elisabetta’s story is especially poignant and sad and informs how she and Anna Maria interact over the years.

Venice is a rich, independent and powerful state and the vivid descriptions of both the richness and poverty existing side by side are wonderful and place the reader right there with the colours, noise and smells of the canal city.

Harriet Constable has done her research well and has produced a very good book and woven the various strands of the story into a brilliant whole.

Vivaldi is remembered (male) and Anna Maria is not (female).